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	<title>osud &#8211; FESTIVAL JANÁČEK BRNO 2020</title>
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		<title>29. 11. 2020&#160;&#160;The Echoes of the festival: Destiny</title>
		<link>https://2020.janacek-brno.cz/en/opery/29-11-2020-the-echoes-of-the-festival-destiny/</link>
					<comments>https://2020.janacek-brno.cz/en/opery/29-11-2020-the-echoes-of-the-festival-destiny/#respond</comments>
		
		<dc:creator><![CDATA[Leoš Janáček]]></dc:creator>
		<pubDate>Thu, 29 Nov 2018 13:59:01 +0000</pubDate>
				<category><![CDATA[druha]]></category>
		<category><![CDATA[Opery]]></category>
		<category><![CDATA[osud]]></category>
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					<description><![CDATA[<p>29. 11. 2020, 5 pm Janáček Theatre Author: Leoš Janáček Conductor: Marko Ivanović Director: Robert Carsen Repeat performances on 29.9., 14.10. and 28.11. 2020 Premiere 28.9. 2020  Buy tickets       Act 1 – The colonnade walk in Luhačovice At the centre of attention of the many guests</p>
<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/29-11-2020-the-echoes-of-the-festival-destiny/">&lt;strong&gt;29. 11. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;The Echoes of the festival: Destiny</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
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<p><strong style="color: #000033; font-family: var(--body_typography-font-family); font-style: var(--body_typography-font-style,normal); letter-spacing: var(--body_typography-letter-spacing); font-size: 19px;" data-fusion-font="true">Janáček Theatre</strong></p>
<table border="0">
<tbody>
<tr>
<td width="100"><strong style="color: #000000;">Author:</strong></td>
<td><span style="color: #000000;">Leoš Janáček</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Conductor:</strong></td>
<td><span style="color: #000000;">Marko Ivanović</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Director:</strong></td>
<td><span style="color: #000000;">Robert Carsen</span></td>
</tr>
</tbody>
</table>
<p style="color: #000000;">Repeat performances on 29.9., 14.10. and 28.11. 2020<br />
Premiere 28.9. 2020</p>
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						<style type="text/css">#accordion-3895-1 .fusion-panel:hover, #accordion-3895-1 .fusion-panel.hover{ background-color: #f9f9f9 } #accordion-3895-1 .fusion-panel { border-color:#cccccc; border-width:1px; background-color:#ffffff; }.fusion-accordian  #accordion-3895-1 .panel-title a .fa-fusion-box{ color: #ffffff;}.fusion-accordian  #accordion-3895-1 .panel-title a .fa-fusion-box:before{ font-size: 17px; width: 17px;}.fusion-accordian  #accordion-3895-1 .panel-title a{font-size:18px;}.fusion-accordian  #accordion-3895-1 .fa-fusion-box { background-color: #333333;border-color: #333333;}.fusion-accordian  #accordion-3895-1 .panel-title a:hover, #accordion-3895-1 .fusion-toggle-boxed-mode:hover .panel-title a { color: #000033;}.fusion-accordian  #accordion-3895-1 .panel-title .active .fa-fusion-box,.fusion-accordian  #accordion-3895-1 .panel-title a:hover .fa-fusion-box { background-color: #000033!important;border-color: #000033!important;}</style><div class="accordian fusion-accordian"><div class="panel-group" id="accordion-3895-1"><div class="fusion-panel panel-default fusion-toggle-no-divider fusion-toggle-boxed-mode"><div class="panel-heading"><h4 class="panel-title toggle"><a data-toggle="collapse" data-parent="#accordion-3895-1" data-target="#313223a1e40081344" href="#313223a1e40081344"><div class="fusion-toggle-icon-wrapper"><i class="fa-fusion-box"></i></div><div class="fusion-toggle-heading">SYNOPSIS</div></a></h4></div><div id="313223a1e40081344" class="panel-collapse collapse "><div class="panel-body toggle-content fusion-clearfix">
<p><strong>Act 1 – The colonnade walk in Luhačovice</strong><br />
At the centre of attention of the many guests at the spa town is the poet Dr. Suda, who is there with his friends, Konečný and Lhotský, and a young lady named Míla. A new guest arrives, the composer Živný. The group is surprised to find that Živný and Míla have met before. New people appear on the scene: the singing teacher Miss Stuhlá, along with some young people who are looking forward to a scouting excursion with Dr. Suda. Most of the people then leave, and only Živný and Míla stay behind. Their previous love affair had been put to an end by Míla´s mother, for whom the prospect of her daughter living with a composer was comparable to a beggar´s existence. Živný has been composing an opera about his unfortunate fate ever since. Only now does he find out that he had wrongly suspected Míla of infidelity: her son Doubek is actually his son. The two lovers agree that they will live together, Míla´s mother notwithstanding.</p>
<p><strong>Act 2 – The married couple´s apartment </strong><br />
Živný sings excerpts from his opera. He must now delete those parts in which he unjustly accused Míla of faithlessness. Young Doubek asks his mother whether she knows what love is. Míla knows this far too well – love and the whole of her life are ruled by Fate, Fatum. Life with Míla´s mother is becoming hell. The mother´s insanity is increasing: she is forced to live under one roof with a man who, in her opinion, is interested only in her money. Živný appears to her like a wicked raven. She wants to fly away from him, but falls off the balcony and drags Míla down with her. Živný is in despair about his wife´s death. He invites thunderbolts to strike at his wretched fate.</p>
<p><strong>Act 3 – The assembly hall of the conservatoire</strong><br />
Students are singing from the score of the new opera written by their Professor Živný. The work is to have its premiere in the theatre that evening, but the last act is still missing. The students ask their teacher to tell them something about his strange opera. With great animation, Živný speaks about the origin of the piece, and the surprised students realize that the content of the opera is in fact their professor’s very own life story. Živný´s narration is just getting close to the point of Míla´s death when suddenly thunderbolts from a real storm can be seen. Živný collapses. The end of his opera remains unfinished and in the hands of God, much like Živný´s fate.</p>
</div></div></div></div></div><style type="text/css">#accordion-3895-2 .fusion-panel:hover, #accordion-3895-2 .fusion-panel.hover{ background-color: #f9f9f9 } #accordion-3895-2 .fusion-panel { border-color:#cccccc; border-width:1px; background-color:#ffffff; }.fusion-accordian  #accordion-3895-2 .panel-title a .fa-fusion-box{ color: #ffffff;}.fusion-accordian  #accordion-3895-2 .panel-title a .fa-fusion-box:before{ font-size: 17px; width: 17px;}.fusion-accordian  #accordion-3895-2 .panel-title a{font-size:18px;}.fusion-accordian  #accordion-3895-2 .fa-fusion-box { background-color: #333333;border-color: #333333;}.fusion-accordian  #accordion-3895-2 .panel-title a:hover, #accordion-3895-2 .fusion-toggle-boxed-mode:hover .panel-title a { color: #000033;}.fusion-accordian  #accordion-3895-2 .panel-title .active .fa-fusion-box,.fusion-accordian  #accordion-3895-2 .panel-title a:hover .fa-fusion-box { background-color: #000033!important;border-color: #000033!important;}</style><div class="accordian fusion-accordian"><div class="panel-group" id="accordion-3895-2"><div class="fusion-panel panel-default fusion-toggle-no-divider fusion-toggle-boxed-mode"><div class="panel-heading"><h4 class="panel-title toggle"><a data-toggle="collapse" data-parent="#accordion-3895-2" data-target="#fdad2bc5dcba3592f" href="#fdad2bc5dcba3592f"><div class="fusion-toggle-icon-wrapper"><i class="fa-fusion-box"></i></div><div class="fusion-toggle-heading">OPERA CAST LISTS</div></a></h4></div><div id="fdad2bc5dcba3592f" class="panel-collapse collapse "><div class="panel-body toggle-content fusion-clearfix">
<p><strong>Conductor:</strong> Marko Ivanović</p>
<p><strong>Stage director:</strong> Robert Carsen</p>
<p><strong>Dramaturgy:</strong> Ian Burton</p>
<p><strong>Set Design:</strong> Radu Boruzescu</p>
<p><strong>Costume Design:</strong> Annemarie Woods</p>
<p><strong>Lighting Design:</strong> Peter van Praet a Robert Carsen</p>
<p><strong>Choreography: </strong>Lorena Randi</p>
<p><strong>Choirmaster:</strong> Pavel Koňárek</p>
<p><strong>Assistant Stage Director:</strong> Gilles Rico</p>
<p>CAST:</p>
<p><strong>Živný, a composer:</strong> Enrico Casari &amp; Philip Sheffield</p>
<p><strong>Míla Válková:</strong> Alžběta Poláčková</p>
<p><strong>Míla´s mother:</strong> Natascha Petrinsky</p>
<p><strong>Dr. Suda:</strong> Peter Račko</p>
<p><strong>Lhotský, malíř:</strong> Jan Šťáva</p>
<p><strong>Konečný:</strong> Igor Loškár</p>
<p><strong>Miss Stuhlá, a teacher:</strong> Daniela Straková-Šedrlová</p>
<p><strong>Doubek (child):</strong> Kryštof Cholava</p>
<p><strong>Poet:</strong> Michael Robotka</p>
<p><strong>First lady / Miss Pacovská:</strong> Andrea Široká</p>
<p><strong>Second lady / Mrs. Majorová:</strong> Tereza Kyzlinková</p>
<p><strong>Student:</strong> Michael Robotka</p>
<p><strong>Old Slovak woman:</strong> Jitka Zerhauová</p>
<p><strong>Mrs. Radová:</strong> Jana Hrochová</p>
<p><strong>Young widow:</strong> Hana Kopřivová</p>
<p><strong>Engineer:</strong> Pavel Valenta</p>
<p><strong>Verva, student:</strong> Lukáš Bařák</p>
<p><strong>Součková, student:</strong> Marta Reichelová</p>
<p><strong>Kosinská, student:</strong> Jarmila Balážová</p>
<p><strong>Doubek:</strong> Daniel Matoušek</p>
<p><strong>Sklepník:</strong> Ivo Musil</p>
<p><strong>Hrázda:</strong> Ondřej Koplík</p>
<p><strong>Servant:</strong> Petr Štych</p>
<p><strong>Nána:</strong> Kristýna Svítilová</p>
<p><strong>Lhotský, painter:</strong><span style="font-weight: 400;"> Jan Šťáva</span></p>
</div></div></div></div></div><div class="fusion-text"><p>The opening ceremony of the festival will be marked by the return of one of the world’s best opera directors, Robert Carsen. This creator of productions praised for their dramatic grasp, poesy and artistic refinement has returned to Janáček´s opera works once again after his previous productions of <em>Jenůfa, The Cunning Little Vixen, Katya Kabanova, The Makropulos Affair</em> and <em>From the House of the Dead.</em> <em>Destiny</em>, created especially for the Janáček Opera, National Theatre Brno, is thus Mr Carsen’s sixth interpretation of a work by the Czech master.</p>
<p>The first decades of the 20<sup>th</sup> century were characterized by a search for new ways and means of expression, and this was doubly true for opera. Janáček had already taken a radically new path with <em>Jenůfa</em> before embarking on a musical and dramaturgical excursion into totally uncharted lands with his fourth opera, <em>Destiny</em>. As is the case with other works by him, Janáček’s creativity was inspired by a beautiful woman, 28-year-old Kamila Urválková, who was the wife of a forest manager in Zahájí as well as an ex-lover of the composer Ludvík Čelanský. Janáček met her in Luhačovice in August 1903. Kamila described her romantic relationship with Čelanský, which hadn’t turned out well: Čelanský portrayed his disillusionment in the opera <em>Kamila</em>, where the lady in the title role was portrayed as an unstable and immature person. Janáček fell for her charms and decided to create “a brand new, modern opera” in which her good name would be restored. After his return from Luhačovice, he searched for a suitable librettist capable of processing his ideas and eventually asked Fedora Bartošová, a young teacher and erstwhile friend to his deceased daughter Olga, to do so. He didn´t call <em>Destiny</em> an opera, but rather <em>three episodes from a novel</em>, and it places spectators in a completely different environment to that of his earlier operas. The very first tones of the orchestral waltz take us amongst the cream of high, spa-going society. The simple natural prose of previous works is replaced by the language of decadent poets, and the plot is unveiled before the eyes of the audience via the dialogue between the two main characters, the composer Živný and his lover Míla. As with his other operas, Janáček drew extensively from his notes on the melodies of human speech. Despite the undisputed musical qualities of the work, the composer didn´t live to see <em>Destiny </em>performed. It was originally assigned to the Brno Theatre, but Janáček decided to have it performed at the Vinohrady Theatre in Prague. However, after a series of delays and despite many promises, the premiere didn´t take place. It wasn’t until 1934 that Janáček´s pupil Břetislav Bakala prepared a radio version, following it up with a concert version twenty years later in 1954. <em>Destiny</em> was finally staged for the first time in Brno on 25<sup>th</sup> October 1958, adapted by Václav Nosek.</p>
<p>Even though <em>Destiny</em> stands somewhat in the shadow of Janáček´s top operas, mainly due to its distinctive libretto, it has an important place in the history of opera as well as in Janáček´s compositional development.</p>
<p>Author: Patricie Částková</p>
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width="1308" height="873" alt="" title="Osud_4" aria-label="Osud_4" class="img-responsive wp-image-4556" srcset="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-200x133.jpg 200w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-400x267.jpg 400w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-600x400.jpg 600w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-800x534.jpg 800w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-1200x801.jpg 1200w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4.jpg 1308w" sizes="(min-width: 2200px) 100vw, (min-width: 824px) 270px, (min-width: 732px) 406px, (min-width: 640px) 732px, " /></a></div></div><div style="padding:5px;" class="fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none"><div class="fusion-gallery-image"><a href="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_6.jpg" rel="noreferrer" 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<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/29-11-2020-the-echoes-of-the-festival-destiny/">&lt;strong&gt;29. 11. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;The Echoes of the festival: Destiny</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
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		<title>28. 11. 2020&#160;&#160;The Echoes of the festival: Destiny</title>
		<link>https://2020.janacek-brno.cz/en/opery/28-11-2020-ozveny-festivalu-osud-repriza/</link>
					<comments>https://2020.janacek-brno.cz/en/opery/28-11-2020-ozveny-festivalu-osud-repriza/#respond</comments>
		
		<dc:creator><![CDATA[Leoš Janáček]]></dc:creator>
		<pubDate>Wed, 28 Nov 2018 15:15:35 +0000</pubDate>
				<category><![CDATA[druha]]></category>
		<category><![CDATA[Opery]]></category>
		<category><![CDATA[osud]]></category>
		<guid isPermaLink="false">https://2020.janacek-brno.cz/en/?p=3634</guid>

					<description><![CDATA[<p>28. 11. 2020, 5 pm Janáček Theatre Author: Leoš Janáček Conductor: Marko Ivanović Director: Robert Carsen Repeat performances on 29.9., 14.10. and 29.11. 2020Premiere 28.9. 2020  Buy tickets       Act 1 – The colonnade walk in LuhačoviceAt the centre of attention of the many guests at the</p>
<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/28-11-2020-ozveny-festivalu-osud-repriza/">&lt;strong&gt;28. 11. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;The Echoes of the festival: Destiny</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><div class="fusion-fullwidth fullwidth-box nonhundred-percent-fullwidth non-hundred-percent-height-scrolling"  style='background-color: #ffffff;background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;'><div class="fusion-builder-row fusion-row "><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-6 fusion-one-full fusion-column-first fusion-column-last 1_1"  style='margin-top:0px;margin-bottom:0px;'>
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<p><strong style="color: #000033; font-family: var(--body_typography-font-family); font-style: var(--body_typography-font-style,normal); letter-spacing: var(--body_typography-letter-spacing); font-size: 19px;" data-fusion-font="true">Janáček Theatre</strong></p>
<table border="0">
<tbody>
<tr>
<td width="100"><strong style="color: #000000;">Author:</strong></td>
<td><span style="color: #000000;">Leoš Janáček</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Conductor:</strong></td>
<td><span style="color: #000000;">Marko Ivanović</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Director:</strong></td>
<td><span style="color: #000000;">Robert Carsen</span></td>
</tr>
</tbody>
</table>
<p style="color: #000000;">Repeat performances on 29.9., 14.10. and 29.11. 2020<br />Premiere 28.9. 2020</p>
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<p><strong>Act 1 – The colonnade walk in Luhačovice</strong><br />At the centre of attention of the many guests at the spa town is the poet Dr. Suda, who is there with his friends, Konečný and Lhotský, and a young lady named Míla. A new guest arrives, the composer Živný. The group is surprised to find that Živný and Míla have met before. New people appear on the scene: the singing teacher Miss Stuhlá, along with some young people who are looking forward to a scouting excursion with Dr. Suda. Most of the people then leave, and only Živný and Míla stay behind. Their previous love affair had been put to an end by Míla´s mother, for whom the prospect of her daughter living with a composer was comparable to a beggar´s existence. Živný has been composing an opera about his unfortunate fate ever since. Only now does he find out that he had wrongly suspected Míla of infidelity: her son Doubek is actually his son. The two lovers agree that they will live together, Míla´s mother notwithstanding.</p>
<p><strong>Act 2 – The married couple´s apartment </strong><br />Živný sings excerpts from his opera. He must now delete those parts in which he unjustly accused Míla of faithlessness. Young Doubek asks his mother whether she knows what love is. Míla knows this far too well – love and the whole of her life are ruled by Fate, Fatum. Life with Míla´s mother is becoming hell. The mother´s insanity is increasing: she is forced to live under one roof with a man who, in her opinion, is interested only in her money. Živný appears to her like a wicked raven. She wants to fly away from him, but falls off the balcony and drags Míla down with her. Živný is in despair about his wife´s death. He invites thunderbolts to strike at his wretched fate.</p>
<p><strong>Act 3 – The assembly hall of the conservatoire</strong><br />Students are singing from the score of the new opera written by their Professor Živný. The work is to have its premiere in the theatre that evening, but the last act is still missing. The students ask their teacher to tell them something about his strange opera. With great animation, Živný speaks about the origin of the piece, and the surprised students realize that the content of the opera is in fact their professor’s very own life story. Živný´s narration is just getting close to the point of Míla´s death when suddenly thunderbolts from a real storm can be seen. Živný collapses. The end of his opera remains unfinished and in the hands of God, much like Živný´s fate.</p>
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<p><strong>Conductor:</strong> Marko Ivanović</p>
<p><strong>Stage director:</strong> Robert Carsen</p>
<p><strong>Dramaturgy:</strong> Ian Burton</p>
<p><strong>Set Design:</strong> Radu Boruzescu</p>
<p><strong>Costume Design:</strong> Annemarie Woods</p>
<p><strong>Lighting Design:</strong> Peter van Praet a Robert Carsen</p>
<p><strong>Choreography: </strong>Lorena Randi</p>
<p><strong>Choirmaster:</strong> Pavel Koňárek</p>
<p><strong>Assistant Stage Director:</strong> Gilles Rico</p>
<p>CAST:</p>
<p><strong>Živný, a composer:</strong> Enrico Casari &amp; Philip Sheffield</p>
<p><strong>Míla Válková:</strong> Alžběta Poláčková</p>
<p><strong>Míla´s mother:</strong> Natascha Petrinsky</p>
<p><strong>Dr. Suda:</strong> Peter Račko</p>
<p><strong>Lhotský, malíř:</strong> Jan Šťáva</p>
<p><strong>Konečný:</strong> Igor Loškár</p>
<p><strong>Miss Stuhlá, a teacher:</strong> Daniela Straková-Šedrlová</p>
<p><strong>Doubek (child):</strong> Kryštof Cholava</p>
<p><strong>Poet:</strong> Michael Robotka</p>
<p><strong>First lady / Miss Pacovská:</strong> Andrea Široká</p>
<p><strong>Second lady / Mrs. Majorová:</strong> Tereza Kyzlinková</p>
<p><strong>Student:</strong> Michael Robotka</p>
<p><strong>Old Slovak woman:</strong> Jitka Zerhauová</p>
<p><strong>Mrs. Radová:</strong> Jana Hrochová</p>
<p><strong>Young widow:</strong> Hana Kopřivová</p>
<p><strong>Engineer:</strong> Pavel Valenta</p>
<p><strong>Verva, student:</strong> Lukáš Bařák</p>
<p><strong>Součková, student:</strong> Marta Reichelová</p>
<p><strong>Kosinská, student:</strong> Jarmila Balážová</p>
<p><strong>Doubek:</strong> Daniel Matoušek</p>
<p><strong>Sklepník:</strong> Ivo Musil</p>
<p><strong>Hrázda:</strong> Ondřej Koplík</p>
<p><strong>Servant:</strong> Petr Štych</p>
<p><strong>Nána:</strong> Kristýna Svítilová</p>
<p><strong>Lhotský, painter:</strong><span style="font-weight: 400;"> Jan Šťáva</span></p>
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<p>The opening ceremony of the festival will be marked by the return of one of the world’s best opera directors, Robert Carsen. This creator of productions praised for their dramatic grasp, poesy and artistic refinement has returned to Janáček´s opera works once again after his previous productions of <em>Jenůfa, The Cunning Little Vixen, Katya Kabanova, The Makropulos Affair</em> and <em>From the House of the Dead.</em> <em>Destiny</em>, created especially for the Janáček Opera, National Theatre Brno, is thus Mr Carsen’s sixth interpretation of a work by the Czech master.</p>
<p>The first decades of the 20<sup>th</sup> century were characterized by a search for new ways and means of expression, and this was doubly true for opera. Janáček had already taken a radically new path with <em>Jenůfa</em> before embarking on a musical and dramaturgical excursion into totally uncharted lands with his fourth opera, <em>Destiny</em>. As is the case with other works by him, Janáček’s creativity was inspired by a beautiful woman, 28-year-old Kamila Urválková, who was the wife of a forest manager in Zahájí as well as an ex-lover of the composer Ludvík Čelanský. Janáček met her in Luhačovice in August 1903. Kamila described her romantic relationship with Čelanský, which hadn’t turned out well: Čelanský portrayed his disillusionment in the opera <em>Kamila</em>, where the lady in the title role was portrayed as an unstable and immature person. Janáček fell for her charms and decided to create “a brand new, modern opera” in which her good name would be restored. After his return from Luhačovice, he searched for a suitable librettist capable of processing his ideas and eventually asked Fedora Bartošová, a young teacher and erstwhile friend to his deceased daughter Olga, to do so. He didn´t call <em>Destiny</em> an opera, but rather <em>three episodes from a novel</em>, and it places spectators in a completely different environment to that of his earlier operas. The very first tones of the orchestral waltz take us amongst the cream of high, spa-going society. The simple natural prose of previous works is replaced by the language of decadent poets, and the plot is unveiled before the eyes of the audience via the dialogue between the two main characters, the composer Živný and his lover Míla. As with his other operas, Janáček drew extensively from his notes on the melodies of human speech. Despite the undisputed musical qualities of the work, the composer didn´t live to see <em>Destiny </em>performed. It was originally assigned to the Brno Theatre, but Janáček decided to have it performed at the Vinohrady Theatre in Prague. However, after a series of delays and despite many promises, the premiere didn´t take place. It wasn’t until 1934 that Janáček´s pupil Břetislav Bakala prepared a radio version, following it up with a concert version twenty years later in 1954. <em>Destiny</em> was finally staged for the first time in Brno on 25<sup>th</sup> October 1958, adapted by Václav Nosek.</p>
<p>Even though <em>Destiny</em> stands somewhat in the shadow of Janáček´s top operas, mainly due to its distinctive libretto, it has an important place in the history of opera as well as in Janáček´s compositional development.</p>
<p>Autor: Patricie Částková</p>
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<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/28-11-2020-ozveny-festivalu-osud-repriza/">&lt;strong&gt;28. 11. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;The Echoes of the festival: Destiny</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
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		<title>14. 10. 2020&#160;&#160;Destiny (Janaček Opera, National Theater Brno) &#8211; Live stream Opera Vision</title>
		<link>https://2020.janacek-brno.cz/en/opery/14-10-2020-destiny-janacek-opera-national-theater-brno/</link>
					<comments>https://2020.janacek-brno.cz/en/opery/14-10-2020-destiny-janacek-opera-national-theater-brno/#respond</comments>
		
		<dc:creator><![CDATA[Leoš Janáček]]></dc:creator>
		<pubDate>Sun, 14 Oct 2018 14:08:47 +0000</pubDate>
				<category><![CDATA[druha]]></category>
		<category><![CDATA[Opery]]></category>
		<category><![CDATA[osud]]></category>
		<guid isPermaLink="false">https://2020.janacek-brno.cz/en/?p=3901</guid>

					<description><![CDATA[<p>14. 10. 2020, 7 pm Janáček Theatre Author: Leoš Janáček Conductor: Marko Ivanović Director: Robert Carsen Repeat performances on 29.9., 28.11. and 29.11. 2020, 7 pm  Buy tickets       Act 1 – The colonnade walk in LuhačoviceAt the centre of attention of the many guests at the</p>
<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/14-10-2020-destiny-janacek-opera-national-theater-brno/">&lt;strong&gt;14. 10. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;Destiny (Janaček Opera, National Theater Brno) &#8211; Live stream Opera Vision</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
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<p><strong style="color: #000033; font-family: var(--body_typography-font-family); font-style: var(--body_typography-font-style,normal); letter-spacing: var(--body_typography-letter-spacing); font-size: 19px;" data-fusion-font="true">Janáček Theatre</strong></p>
<table border="0">
<tbody>
<tr>
<td width="100"><strong style="color: #000000;">Author:</strong></td>
<td><span style="color: #000000;">Leoš Janáček</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Conductor:</strong></td>
<td><span style="color: #000000;">Marko Ivanović</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Director:</strong></td>
<td><span style="color: #000000;">Robert Carsen</span></td>
</tr>
</tbody>
</table>
<p style="color: #000000;">Repeat performances on 29.9., 28.11. and 29.11. 2020, 7 pm</p>
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<p><strong>Act 1 – The colonnade walk in Luhačovice</strong><br />At the centre of attention of the many guests at the spa town is the poet Dr. Suda, who is there with his friends, Konečný and Lhotský, and a young lady named Míla. A new guest arrives, the composer Živný. The group is surprised to find that Živný and Míla have met before. New people appear on the scene: the singing teacher Miss Stuhlá, along with some young people who are looking forward to a scouting excursion with Dr. Suda. Most of the people then leave, and only Živný and Míla stay behind. Their previous love affair had been put to an end by Míla´s mother, for whom the prospect of her daughter living with a composer was comparable to a beggar´s existence. Živný has been composing an opera about his unfortunate fate ever since. Only now does he find out that he had wrongly suspected Míla of infidelity: her son Doubek is actually his son. The two lovers agree that they will live together, Míla´s mother notwithstanding.</p>
<p><strong>Act 2 – The married couple´s apartment </strong><br />Živný sings excerpts from his opera. He must now delete those parts in which he unjustly accused Míla of faithlessness. Young Doubek asks his mother whether she knows what love is. Míla knows this far too well – love and the whole of her life are ruled by Fate, Fatum. Life with Míla´s mother is becoming hell. The mother´s insanity is increasing: she is forced to live under one roof with a man who, in her opinion, is interested only in her money. Živný appears to her like a wicked raven. She wants to fly away from him, but falls off the balcony and drags Míla down with her. Živný is in despair about his wife´s death. He invites thunderbolts to strike at his wretched fate.</p>
<p><strong>Act 3 – The assembly hall of the conservatoire</strong><br />Students are singing from the score of the new opera written by their Professor Živný. The work is to have its premiere in the theatre that evening, but the last act is still missing. The students ask their teacher to tell them something about his strange opera. With great animation, Živný speaks about the origin of the piece, and the surprised students realize that the content of the opera is in fact their professor’s very own life story. Živný´s narration is just getting close to the point of Míla´s death when suddenly thunderbolts from a real storm can be seen. Živný collapses. The end of his opera remains unfinished and in the hands of God, much like Živný´s fate.</p>
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<p><strong>Conductor:</strong> Marko Ivanović</p>
<p><strong>Stage director:</strong> Robert Carsen</p>
<p><strong>Dramaturgy:</strong> Ian Burton</p>
<p><strong>Set Design:</strong> Radu Boruzescu</p>
<p><strong>Costume Design:</strong> Annemarie Woods</p>
<p><strong>Lighting Design:</strong> Peter van Praet a Robert Carsen</p>
<p><strong>Choreography: </strong>Lorena Randi</p>
<p><strong>Choirmaster:</strong> Pavel Koňárek</p>
<p><strong>Assistant Stage Director:</strong> Gilles Rico</p>
<p>CAST:</p>
<p><strong>Živný, a composer:</strong> Enrico Casari &amp; Philip Sheffield</p>
<p><strong>Míla Válková:</strong> Alžběta Poláčková</p>
<p><strong>Míla´s mother:</strong> Natascha Petrinsky</p>
<p><strong>Dr. Suda:</strong> Peter Račko</p>
<p><strong>Lhotský, malíř:</strong> Jan Šťáva</p>
<p><strong>Konečný:</strong> Igor Loškár</p>
<p><strong>Miss Stuhlá, a teacher:</strong> Daniela Straková-Šedrlová</p>
<p><strong>Doubek (child):</strong> Kryštof Cholava</p>
<p><strong>Poet:</strong> Michael Robotka</p>
<p><strong>First lady / Miss Pacovská:</strong> Andrea Široká</p>
<p><strong>Second lady / Mrs. Majorová:</strong> Tereza Kyzlinková</p>
<p><strong>Student:</strong> Michael Robotka</p>
<p><strong>Old Slovak woman:</strong> Jitka Zerhauová</p>
<p><strong>Mrs. Radová:</strong> Jana Hrochová</p>
<p><strong>Young widow:</strong> Hana Kopřivová</p>
<p><strong>Engineer:</strong> Pavel Valenta</p>
<p><strong>Verva, student:</strong> Lukáš Bařák</p>
<p><strong>Součková, student:</strong> Marta Reichelová</p>
<p><strong>Kosinská, student:</strong> Jarmila Balážová</p>
<p><strong>Doubek:</strong> Daniel Matoušek</p>
<p><strong>Sklepník:</strong> Ivo Musil</p>
<p><strong>Hrázda:</strong> Ondřej Koplík</p>
<p><strong>Servant:</strong> Petr Štych</p>
<p><strong>Nána:</strong> Kristýna Svítilová</p>
<p><strong>Lhotský, painter:</strong><span style="font-weight: 400;"> Jan Šťáva</span></p>
</div></div></div></div></div><div class="fusion-text"><p>The opening ceremony of the festival will be marked by the return of one of the world’s best opera directors, Robert Carsen. This creator of productions praised for their dramatic grasp, poesy and artistic refinement has returned to Janáček´s opera works once again after his previous productions of <em>Jenůfa, The Cunning Little Vixen, Katya Kabanova, The Makropulos Affair</em> and <em>From the House of the Dead.</em> <em>Destiny</em>, created especially for the Janáček Opera, National Theatre Brno, is thus Mr Carsen’s sixth interpretation of a work by the Czech master.</p>
<p>The first decades of the 20<sup>th</sup> century were characterized by a search for new ways and means of expression, and this was doubly true for opera. Janáček had already taken a radically new path with <em>Jenůfa</em> before embarking on a musical and dramaturgical excursion into totally uncharted lands with his fourth opera, <em>Destiny</em>. As is the case with other works by him, Janáček’s creativity was inspired by a beautiful woman, 28-year-old Kamila Urválková, who was the wife of a forest manager in Zahájí as well as an ex-lover of the composer Ludvík Čelanský. Janáček met her in Luhačovice in August 1903. Kamila described her romantic relationship with Čelanský, which hadn’t turned out well: Čelanský portrayed his disillusionment in the opera <em>Kamila</em>, where the lady in the title role was portrayed as an unstable and immature person. Janáček fell for her charms and decided to create “a brand new, modern opera” in which her good name would be restored. After his return from Luhačovice, he searched for a suitable librettist capable of processing his ideas and eventually asked Fedora Bartošová, a young teacher and erstwhile friend to his deceased daughter Olga, to do so. He didn´t call <em>Destiny</em> an opera, but rather <em>three episodes from a novel</em>, and it places spectators in a completely different environment to that of his earlier operas. The very first tones of the orchestral waltz take us amongst the cream of high, spa-going society. The simple natural prose of previous works is replaced by the language of decadent poets, and the plot is unveiled before the eyes of the audience via the dialogue between the two main characters, the composer Živný and his lover Míla. As with his other operas, Janáček drew extensively from his notes on the melodies of human speech. Despite the undisputed musical qualities of the work, the composer didn´t live to see <em>Destiny </em>performed. It was originally assigned to the Brno Theatre, but Janáček decided to have it performed at the Vinohrady Theatre in Prague. However, after a series of delays and despite many promises, the premiere didn´t take place. It wasn’t until 1934 that Janáček´s pupil Břetislav Bakala prepared a radio version, following it up with a concert version twenty years later in 1954. <em>Destiny</em> was finally staged for the first time in Brno on 25<sup>th</sup> October 1958, adapted by Václav Nosek.</p>
<p>Even though <em>Destiny</em> stands somewhat in the shadow of Janáček´s top operas, mainly due to its distinctive libretto, it has an important place in the history of opera as well as in Janáček´s compositional development.</p>
<p>Author: Patricie Částková</p>
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						<div class="fusion-text"><p><a href="http://www.operavision.eu"><img loading="lazy" class="size-full wp-image-3949 alignleft" src="https://2020.janacek-brno.cz/en/wp-content/uploads/2019/11/logo-liska.png" alt="" width="150" height="86"></a>National Theatre Brno is a partner of Opera Vision. This international project presents productions by leading European theatres via live streaming on a web platform, which is a form available to a wide audience all over the world. Destiny will be streamed live on 14. 10. 2020. More information: <a href="http://www.operavision.eu"><u style="">www.operavision.eu</u></a></p>
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https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_3-400x267.jpg 400w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_3-600x400.jpg 600w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_3-800x533.jpg 800w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_3-1200x800.jpg 1200w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_3.jpg 1308w" sizes="(min-width: 2200px) 100vw, (min-width: 824px) 270px, (min-width: 732px) 406px, (min-width: 640px) 732px, " /></a></div></div><div class="clearfix"></div><div style="padding:5px;" class="fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none"><div class="fusion-gallery-image"><a href="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4.jpg" rel="noreferrer" data-rel="iLightbox[gallery_image_3]" class="fusion-lightbox" target="_self"><img loading="lazy" src="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4.jpg" width="1308" height="873" alt="" title="Osud_4" aria-label="Osud_4" class="img-responsive wp-image-4556" srcset="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-200x133.jpg 200w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-400x267.jpg 400w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-600x400.jpg 600w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-800x534.jpg 800w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4-1200x801.jpg 1200w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_4.jpg 1308w" sizes="(min-width: 2200px) 100vw, (min-width: 824px) 270px, (min-width: 732px) 406px, (min-width: 640px) 732px, " /></a></div></div><div style="padding:5px;" class="fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-none"><div class="fusion-gallery-image"><a href="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/Osud_6.jpg" rel="noreferrer" 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fusion-gallery-column-3 hover-type-none"><div class="fusion-gallery-image"><a href="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/osud5.jpg" rel="noreferrer" data-rel="iLightbox[gallery_image_3]" class="fusion-lightbox" target="_self"><img loading="lazy" src="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/osud5.jpg" width="1308" height="872" alt="" title="osud5" aria-label="osud5" class="img-responsive wp-image-4558" srcset="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/osud5-200x133.jpg 200w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/osud5-400x267.jpg 400w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/osud5-600x400.jpg 600w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/osud5-800x533.jpg 800w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/osud5-1200x800.jpg 1200w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/09/osud5.jpg 1308w" sizes="(min-width: 2200px) 100vw, (min-width: 824px) 270px, (min-width: 732px) 406px, (min-width: 640px) 732px, " /></a></div></div><div class="clearfix"></div></div><div class="fusion-clearfix"></div>

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<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/14-10-2020-destiny-janacek-opera-national-theater-brno/">&lt;strong&gt;14. 10. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;Destiny (Janaček Opera, National Theater Brno) &#8211; Live stream Opera Vision</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
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		<title>12. 10. 2020&#160;&#160;A step behind the curtain to the opera Destiny</title>
		<link>https://2020.janacek-brno.cz/en/opery/12-10-2020-krok-za-oponu-k-opere-osud/</link>
		
		<dc:creator><![CDATA[Leoš Janáček]]></dc:creator>
		<pubDate>Fri, 12 Oct 2018 14:39:06 +0000</pubDate>
				<category><![CDATA[druha]]></category>
		<category><![CDATA[Opery]]></category>
		<category><![CDATA[osud]]></category>
		<guid isPermaLink="false">https://2020.janacek-brno.cz/en/?p=3478</guid>

					<description><![CDATA[<p>12. 10. 2020, 7 pm Janáček Theatre  Buy tickets       Take a closer look at the opera! Take a step behind the curtain with us. A programme designed for all curious people, big and small, who would like to get to know something new about the world</p>
<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/12-10-2020-krok-za-oponu-k-opere-osud/">&lt;strong&gt;12. 10. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;A step behind the curtain to the opera Destiny</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><div class="fusion-fullwidth fullwidth-box nonhundred-percent-fullwidth non-hundred-percent-height-scrolling"  style='background-color: #ffffff;background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;'><div class="fusion-builder-row fusion-row "><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-17 fusion-one-full fusion-column-first fusion-column-last 1_1"  style='margin-top:0px;margin-bottom:0px;'>
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						<div class="fusion-builder-row fusion-builder-row-inner fusion-row "><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-first 1_2"  style='margin-top: 0px;margin-bottom: 20px;width:50%;width:calc(50% - ( ( 6% ) * 0.5 ) );margin-right:6%;'><div class="fusion-column-wrapper" style="padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;"  data-bg-url=""><span class="fusion-imageframe imageframe-none imageframe-4 hover-type-none"><img loading="lazy" src="https://2020.janacek-brno.cz/en/wp-content/uploads/2018/10/foto_krok.jpg" width="654" height="436" alt="" title="foto_krok" class="img-responsive wp-image-4155" srcset="https://2020.janacek-brno.cz/en/wp-content/uploads/2018/10/foto_krok-200x133.jpg 200w, https://2020.janacek-brno.cz/en/wp-content/uploads/2018/10/foto_krok-400x267.jpg 400w, https://2020.janacek-brno.cz/en/wp-content/uploads/2018/10/foto_krok-600x400.jpg 600w, https://2020.janacek-brno.cz/en/wp-content/uploads/2018/10/foto_krok.jpg 654w" sizes="(max-width: 800px) 100vw, 654px" /></span></div></div><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-last 1_2"  style='margin-top: 0px;margin-bottom: 20px;width:50%;width:calc(50% - ( ( 6% ) * 0.5 ) );'><div class="fusion-column-wrapper" style="padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;"  data-bg-url=""><div class="fusion-text"><h4 data-fontsize="18" data-lineheight="33"><strong style="font-size: 20px; color: #000033;" data-fusion-font="true">12. 10. 2020, 7 pm</strong></h4>
<p><strong style="color: #000033; font-family: var(--body_typography-font-family); font-style: var(--body_typography-font-style,normal); letter-spacing: var(--body_typography-letter-spacing); font-size: 19px;" data-fusion-font="true">Janáček Theatre</strong></p>
</div><div class="fusion-sep-clear"></div><div class="fusion-separator fusion-full-width-sep sep-none" style="margin-left: auto;margin-right: auto;margin-top:10px;margin-bottom:10px;"></div><div class="fusion-button-wrapper"><a class="fusion-button button-flat fusion-button-default-shape fusion-button-default-size button-default button-4 fusion-button-default-span fusion-button-default-type" target="_blank" rel="noopener noreferrer" href="http://online.ndbrno.cz/incoming.aspx?mrsid=103&amp;language=en-GB&amp;redirectaddtickets=http://ndbrno.cz/program&amp;&amp;eventid=478228"><span class="fusion-button-text">Buy tickets</span></a></div></div></div></div><div class="fusion-clearfix"></div>

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				</div></div></div><div class="fusion-fullwidth fullwidth-box hundred-percent-fullwidth non-hundred-percent-height-scrolling"  style='background-color: rgba(255,255,255,0);background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;margin-top: 5px;'><div class="fusion-builder-row fusion-row "><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-18 fusion-one-full fusion-column-first fusion-column-last fusion-column-no-min-height 1_1"  style='margin-top:0px;margin-bottom:0px;'>
					<div class="fusion-column-wrapper" style="padding: 40px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;"   data-bg-url="">
						<div class="fusion-builder-row fusion-builder-row-inner fusion-row "><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_1  fusion-one-full fusion-column-first fusion-column-last 1_1"  style='margin-top: 0px;margin-bottom: 20px;'><div class="fusion-column-wrapper" style="padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;"  data-bg-url=""><div class="fusion-text"><p style="color: #000000; font-size: 18px;" data-fusion-font="true"><span style="background-color: rgba(255, 255, 255, 0); font-family: var(--body_typography-font-family); font-style: var(--body_typography-font-style,normal); font-weight: var(--body_typography-font-weight); letter-spacing: var(--body_typography-letter-spacing);">Take a closer look at the opera! Take a step behind the curtain with us. A programme designed for all curious people, big and small, who would like to get to know something new about the world of an opera house. A 70-minute interactive, adventurous and mainly entertaining journey into the heart of opera with the soloists, choir and orchestra of the Janáček Opera, National Theatre Brno. </span></p>
<p style="color: #000000; font-size: 18px;" data-fusion-font="true">Your guide will be the chief conductor, Marko Ivanović.</p>
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<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/12-10-2020-krok-za-oponu-k-opere-osud/">&lt;strong&gt;12. 10. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;A step behind the curtain to the opera Destiny</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
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		<title>29. 9. 2020&#160;&#160;Destiny (Janaček Opera, National Theatre Brno)</title>
		<link>https://2020.janacek-brno.cz/en/opery/29-9-2020-destiny-janacek-opera-national-theater-brno/</link>
		
		<dc:creator><![CDATA[Leoš Janáček]]></dc:creator>
		<pubDate>Sat, 29 Sep 2018 14:06:44 +0000</pubDate>
				<category><![CDATA[Opery]]></category>
		<category><![CDATA[osud]]></category>
		<category><![CDATA[prvni]]></category>
		<guid isPermaLink="false">https://2020.janacek-brno.cz/en/?p=3898</guid>

					<description><![CDATA[<p>29. 9. 2020, 7 pm Janáček Theatre Author: Leoš Janáček Conductor: Marko Ivanović Director: Robert Carsen Repeat performances on 14. 10., 28.11. and 29.11. 2020, 7 pm  Buy tickets       Act 1 – The colonnade walk in LuhačoviceAt the centre of attention of the many guests at</p>
<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/29-9-2020-destiny-janacek-opera-national-theater-brno/">&lt;strong&gt;29. 9. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;Destiny (Janaček Opera, National Theatre Brno)</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><div class="fusion-fullwidth fullwidth-box nonhundred-percent-fullwidth non-hundred-percent-height-scrolling"  style='background-color: #ffffff;background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;'><div class="fusion-builder-row fusion-row "><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-19 fusion-one-full fusion-column-first fusion-column-last 1_1"  style='margin-top:0px;margin-bottom:0px;'>
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						<div class="fusion-builder-row fusion-builder-row-inner fusion-row "><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-first 1_2"  style='margin-top: 0px;margin-bottom: 20px;width:50%;width:calc(50% - ( ( 6% ) * 0.5 ) );margin-right:6%;'><div class="fusion-column-wrapper" style="padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;"  data-bg-url=""><span class="fusion-imageframe imageframe-none imageframe-5 hover-type-none"><img loading="lazy" src="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/02/1267.jpg" width="654" height="436" alt="" title="1267" class="img-responsive wp-image-4333" srcset="https://2020.janacek-brno.cz/en/wp-content/uploads/2020/02/1267-200x133.jpg 200w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/02/1267-400x267.jpg 400w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/02/1267-600x400.jpg 600w, https://2020.janacek-brno.cz/en/wp-content/uploads/2020/02/1267.jpg 654w" sizes="(max-width: 800px) 100vw, 654px" /></span></div></div><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_2  fusion-one-half fusion-column-last 1_2"  style='margin-top: 0px;margin-bottom: 20px;width:50%;width:calc(50% - ( ( 6% ) * 0.5 ) );'><div class="fusion-column-wrapper" style="padding: 0px 0px 0px 0px;background-position:left top;background-repeat:no-repeat;-webkit-background-size:cover;-moz-background-size:cover;-o-background-size:cover;background-size:cover;"  data-bg-url=""><div class="fusion-text"><h4 data-fontsize="18" data-lineheight="33"><strong style="font-size: 20px; color: #000033;" data-fusion-font="true">29. 9. 2020, 7 pm</strong></h4>
<p><strong style="color: #000033; font-family: var(--body_typography-font-family); font-style: var(--body_typography-font-style,normal); letter-spacing: var(--body_typography-letter-spacing); font-size: 19px;" data-fusion-font="true">Janáček Theatre</strong></p>
<table border="0">
<tbody>
<tr>
<td width="100"><strong style="color: #000000;">Author:</strong></td>
<td><span style="color: #000000;">Leoš Janáček</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Conductor:</strong></td>
<td><span style="color: #000000;">Marko Ivanović</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Director:</strong></td>
<td><span style="color: #000000;">Robert Carsen</span></td>
</tr>
</tbody>
</table>
<p style="color: #000000;">Repeat performances on 14. 10., 28.11. and 29.11. 2020, 7 pm</p>
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<p><strong>Act 1 – The colonnade walk in Luhačovice</strong><br />At the centre of attention of the many guests at the spa town is the poet Dr. Suda, who is there with his friends, Konečný and Lhotský, and a young lady named Míla. A new guest arrives, the composer Živný. The group is surprised to find that Živný and Míla have met before. New people appear on the scene: the singing teacher Miss Stuhlá, along with some young people who are looking forward to a scouting excursion with Dr. Suda. Most of the people then leave, and only Živný and Míla stay behind. Their previous love affair had been put to an end by Míla´s mother, for whom the prospect of her daughter living with a composer was comparable to a beggar´s existence. Živný has been composing an opera about his unfortunate fate ever since. Only now does he find out that he had wrongly suspected Míla of infidelity: her son Doubek is actually his son. The two lovers agree that they will live together, Míla´s mother notwithstanding.</p>
<p><strong>Act 2 – The married couple´s apartment </strong><br />Živný sings excerpts from his opera. He must now delete those parts in which he unjustly accused Míla of faithlessness. Young Doubek asks his mother whether she knows what love is. Míla knows this far too well – love and the whole of her life are ruled by Fate, Fatum. Life with Míla´s mother is becoming hell. The mother´s insanity is increasing: she is forced to live under one roof with a man who, in her opinion, is interested only in her money. Živný appears to her like a wicked raven. She wants to fly away from him, but falls off the balcony and drags Míla down with her. Živný is in despair about his wife´s death. He invites thunderbolts to strike at his wretched fate.</p>
<p><strong>Act 3 – The assembly hall of the conservatoire</strong><br />Students are singing from the score of the new opera written by their Professor Živný. The work is to have its premiere in the theatre that evening, but the last act is still missing. The students ask their teacher to tell them something about his strange opera. With great animation, Živný speaks about the origin of the piece, and the surprised students realize that the content of the opera is in fact their professor’s very own life story. Živný´s narration is just getting close to the point of Míla´s death when suddenly thunderbolts from a real storm can be seen. Živný collapses. The end of his opera remains unfinished and in the hands of God, much like Živný´s fate.</p>
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<p><strong>Conductor:</strong> Marko Ivanović</p>
<p><strong>Stage director:</strong> Robert Carsen</p>
<p><strong>Dramaturgy:</strong> Ian Burton</p>
<p><strong>Set Design:</strong> Radu Boruzescu</p>
<p><strong>Costume Design:</strong> Annemarie Woods</p>
<p><strong>Lighting Design:</strong> Peter van Praet a Robert Carsen</p>
<p><strong>Choreography: </strong>Lorena Randi</p>
<p><strong>Choirmaster:</strong> Pavel Koňárek</p>
<p><strong>Assistant Stage Director:</strong> Gilles Rico</p>
<p>CAST:</p>
<p><strong>Živný, a composer:</strong> Enrico Casari &amp; Philip Sheffield</p>
<p><strong>Míla Válková:</strong> Alžběta Poláčková</p>
<p><strong>Míla´s mother:</strong> Natascha Petrinsky</p>
<p><strong>Dr. Suda:</strong> Peter Račko</p>
<p><strong>Lhotský, malíř:</strong> Jan Šťáva</p>
<p><strong>Konečný:</strong> Igor Loškár</p>
<p><strong>Miss Stuhlá, a teacher:</strong> Daniela Straková-Šedrlová</p>
<p><strong>Doubek (child):</strong> Kryštof Cholava</p>
<p><strong>Poet:</strong> Michael Robotka</p>
<p><strong>First lady / Miss Pacovská:</strong> Andrea Široká</p>
<p><strong>Second lady / Mrs. Majorová:</strong> Tereza Kyzlinková</p>
<p><strong>Student:</strong> Michael Robotka</p>
<p><strong>Old Slovak woman:</strong> Jitka Zerhauová</p>
<p><strong>Mrs. Radová:</strong> Jana Hrochová</p>
<p><strong>Young widow:</strong> Hana Kopřivová</p>
<p><strong>Engineer:</strong> Pavel Valenta</p>
<p><strong>Verva, student:</strong> Lukáš Bařák</p>
<p><strong>Součková, student:</strong> Marta Reichelová</p>
<p><strong>Kosinská, student:</strong> Jarmila Balážová</p>
<p><strong>Doubek:</strong> Daniel Matoušek</p>
<p><strong>Sklepník:</strong> Ivo Musil</p>
<p><strong>Hrázda:</strong> Ondřej Koplík</p>
<p><strong>Servant:</strong> Petr Štych</p>
<p><strong>Nána:</strong> Kristýna Svítilová</p>
<p><strong>Lhotský, painter:</strong><span style="font-weight: 400;"> Jan Šťáva</span></p>
</div></div></div></div></div><div class="fusion-text"><p>The opening ceremony of the festival will be marked by the return of one of the world’s best opera directors, Robert Carsen. This creator of productions praised for their dramatic grasp, poesy and artistic refinement has returned to Janáček´s opera works once again after his previous productions of <em>Jenůfa, The Cunning Little Vixen, Katya Kabanova, The Makropulos Affair</em> and <em>From the House of the Dead.</em> <em>Destiny</em>, created especially for the Janáček Opera, National Theatre Brno, is thus Mr Carsen’s sixth interpretation of a work by the Czech master.</p>
<p>The first decades of the 20<sup>th</sup> century were characterized by a search for new ways and means of expression, and this was doubly true for opera. Janáček had already taken a radically new path with <em>Jenůfa</em> before embarking on a musical and dramaturgical excursion into totally uncharted lands with his fourth opera, <em>Destiny</em>. As is the case with other works by him, Janáček’s creativity was inspired by a beautiful woman, 28-year-old Kamila Urválková, who was the wife of a forest manager in Zahájí as well as an ex-lover of the composer Ludvík Čelanský. Janáček met her in Luhačovice in August 1903. Kamila described her romantic relationship with Čelanský, which hadn’t turned out well: Čelanský portrayed his disillusionment in the opera <em>Kamila</em>, where the lady in the title role was portrayed as an unstable and immature person. Janáček fell for her charms and decided to create “a brand new, modern opera” in which her good name would be restored. After his return from Luhačovice, he searched for a suitable librettist capable of processing his ideas and eventually asked Fedora Bartošová, a young teacher and erstwhile friend to his deceased daughter Olga, to do so. He didn´t call <em>Destiny</em> an opera, but rather <em>three episodes from a novel</em>, and it places spectators in a completely different environment to that of his earlier operas. The very first tones of the orchestral waltz take us amongst the cream of high, spa-going society. The simple natural prose of previous works is replaced by the language of decadent poets, and the plot is unveiled before the eyes of the audience via the dialogue between the two main characters, the composer Živný and his lover Míla. As with his other operas, Janáček drew extensively from his notes on the melodies of human speech. Despite the undisputed musical qualities of the work, the composer didn´t live to see <em>Destiny </em>performed. It was originally assigned to the Brno Theatre, but Janáček decided to have it performed at the Vinohrady Theatre in Prague. However, after a series of delays and despite many promises, the premiere didn´t take place. It wasn’t until 1934 that Janáček´s pupil Břetislav Bakala prepared a radio version, following it up with a concert version twenty years later in 1954. <em>Destiny</em> was finally staged for the first time in Brno on 25<sup>th</sup> October 1958, adapted by Václav Nosek.</p>
<p>Even though <em>Destiny</em> stands somewhat in the shadow of Janáček´s top operas, mainly due to its distinctive libretto, it has an important place in the history of opera as well as in Janáček´s compositional development.</p>
<p>Author: Patricie Částková</p>
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<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/29-9-2020-destiny-janacek-opera-national-theater-brno/">&lt;strong&gt;29. 9. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;Destiny (Janaček Opera, National Theatre Brno)</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
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		<title>28. 9. 2020&#160;&#160;Ceremonial opening of the festival: Destiny (Janáček Opera, National Theatre Brno) &#8211; premiere</title>
		<link>https://2020.janacek-brno.cz/en/opery/28-9-2020-ceremonial-opening-of-the-festival-destiny-janacek-opera-national-theatre-brno-premiere/</link>
		
		<dc:creator><![CDATA[Leoš Janáček]]></dc:creator>
		<pubDate>Fri, 28 Sep 2018 14:39:01 +0000</pubDate>
				<category><![CDATA[Opery]]></category>
		<category><![CDATA[osud]]></category>
		<category><![CDATA[prvni]]></category>
		<guid isPermaLink="false">https://2020.janacek-brno.cz/en/?p=3931</guid>

					<description><![CDATA[<p>28. 9. 2020, 7 pm Janáček Theatre Author: Leoš Janáček Conductor: Marko Ivanović Director: Robert Carsen Repeat performances on 29.9., 14.10., 28.11. and 29.11. 2020, 7 pm  Buy tickets       Act 1 – The colonnade walk in LuhačoviceAt the centre of attention of the many guests at</p>
<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/28-9-2020-ceremonial-opening-of-the-festival-destiny-janacek-opera-national-theatre-brno-premiere/">&lt;strong&gt;28. 9. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;Ceremonial opening of the festival: Destiny (Janáček Opera, National Theatre Brno) &#8211; premiere</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
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										<content:encoded><![CDATA[<p><div class="fusion-fullwidth fullwidth-box nonhundred-percent-fullwidth non-hundred-percent-height-scrolling"  style='background-color: #ffffff;background-position: center center;background-repeat: no-repeat;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;'><div class="fusion-builder-row fusion-row "><div  class="fusion-layout-column fusion_builder_column fusion_builder_column_1_1 fusion-builder-column-24 fusion-one-full fusion-column-first fusion-column-last 1_1"  style='margin-top:0px;margin-bottom:0px;'>
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<p><strong style="color: #000033; font-family: var(--body_typography-font-family); font-style: var(--body_typography-font-style,normal); letter-spacing: var(--body_typography-letter-spacing); font-size: 19px;" data-fusion-font="true">Janáček Theatre</strong></p>
<table border="0">
<tbody>
<tr>
<td width="100"><strong style="color: #000000;">Author:</strong></td>
<td><span style="color: #000000;">Leoš Janáček</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Conductor:</strong></td>
<td><span style="color: #000000;">Marko Ivanović</span></td>
</tr>
<tr>
<td><strong style="color: #000000;">Director:</strong></td>
<td><span style="color: #000000;">Robert Carsen</span></td>
</tr>
</tbody>
</table>
<p style="color: #000000;">Repeat performances on 29.9., 14.10., 28.11. and 29.11. 2020, 7 pm</p>
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<p><strong>Act 1 – The colonnade walk in Luhačovice</strong><br />At the centre of attention of the many guests at the spa town is the poet Dr. Suda, who is there with his friends, Konečný and Lhotský, and a young lady named Míla. A new guest arrives, the composer Živný. The group is surprised to find that Živný and Míla have met before. New people appear on the scene: the singing teacher Miss Stuhlá, along with some young people who are looking forward to a scouting excursion with Dr. Suda. Most of the people then leave, and only Živný and Míla stay behind. Their previous love affair had been put to an end by Míla´s mother, for whom the prospect of her daughter living with a composer was comparable to a beggar´s existence. Živný has been composing an opera about his unfortunate fate ever since. Only now does he find out that he had wrongly suspected Míla of infidelity: her son Doubek is actually his son. The two lovers agree that they will live together, Míla´s mother notwithstanding.</p>
<p><strong>Act 2 – The married couple´s apartment </strong><br />Živný sings excerpts from his opera. He must now delete those parts in which he unjustly accused Míla of faithlessness. Young Doubek asks his mother whether she knows what love is. Míla knows this far too well – love and the whole of her life are ruled by Fate, Fatum. Life with Míla´s mother is becoming hell. The mother´s insanity is increasing: she is forced to live under one roof with a man who, in her opinion, is interested only in her money. Živný appears to her like a wicked raven. She wants to fly away from him, but falls off the balcony and drags Míla down with her. Živný is in despair about his wife´s death. He invites thunderbolts to strike at his wretched fate.</p>
<p><strong>Act 3 – The assembly hall of the conservatoire</strong><br />Students are singing from the score of the new opera written by their Professor Živný. The work is to have its premiere in the theatre that evening, but the last act is still missing. The students ask their teacher to tell them something about his strange opera. With great animation, Živný speaks about the origin of the piece, and the surprised students realize that the content of the opera is in fact their professor’s very own life story. Živný´s narration is just getting close to the point of Míla´s death when suddenly thunderbolts from a real storm can be seen. Živný collapses. The end of his opera remains unfinished and in the hands of God, much like Živný´s fate.</p>
</div></div></div></div></div><style type="text/css">#accordion-3931-10 .fusion-panel:hover, #accordion-3931-10 .fusion-panel.hover{ background-color: #f9f9f9 } #accordion-3931-10 .fusion-panel { border-color:#cccccc; border-width:1px; background-color:#ffffff; }.fusion-accordian  #accordion-3931-10 .panel-title a .fa-fusion-box{ color: #ffffff;}.fusion-accordian  #accordion-3931-10 .panel-title a .fa-fusion-box:before{ font-size: 17px; width: 17px;}.fusion-accordian  #accordion-3931-10 .panel-title a{font-size:18px;}.fusion-accordian  #accordion-3931-10 .fa-fusion-box { background-color: #333333;border-color: #333333;}.fusion-accordian  #accordion-3931-10 .panel-title a:hover, #accordion-3931-10 .fusion-toggle-boxed-mode:hover .panel-title a { color: #000033;}.fusion-accordian  #accordion-3931-10 .panel-title .active .fa-fusion-box,.fusion-accordian  #accordion-3931-10 .panel-title a:hover .fa-fusion-box { background-color: #000033!important;border-color: #000033!important;}</style><div class="accordian fusion-accordian"><div class="panel-group" id="accordion-3931-10"><div class="fusion-panel panel-default fusion-toggle-no-divider fusion-toggle-boxed-mode"><div class="panel-heading"><h4 class="panel-title toggle"><a data-toggle="collapse" data-parent="#accordion-3931-10" data-target="#90a4b12c34747a726" href="#90a4b12c34747a726"><div class="fusion-toggle-icon-wrapper"><i class="fa-fusion-box"></i></div><div class="fusion-toggle-heading">OPERA CAST LISTS</div></a></h4></div><div id="90a4b12c34747a726" class="panel-collapse collapse "><div class="panel-body toggle-content fusion-clearfix">
<p><strong>Conductor:</strong> Marko Ivanović</p>
<p><strong>Stage director:</strong> Robert Carsen</p>
<p><strong>Dramaturgy:</strong> Ian Burton</p>
<p><strong>Set Design:</strong> Radu Boruzescu</p>
<p><strong>Costume Design:</strong> Annemarie Woods</p>
<p><strong>Lighting Design:</strong> Peter van Praet a Robert Carsen</p>
<p><strong>Choreography: </strong>Lorena Randi</p>
<p><strong>Choirmaster:</strong> Pavel Koňárek</p>
<p><strong>Assistant Stage Director:</strong> Gilles Rico</p>
<p>CAST:</p>
<p><strong>Živný, a composer:</strong> Enrico Casari &amp; Philip Sheffield</p>
<p><strong>Míla Válková:</strong> Alžběta Poláčková</p>
<p><strong>Míla´s mother:</strong> Natascha Petrinsky</p>
<p><strong>Dr. Suda:</strong> Peter Račko</p>
<p><strong>Lhotský, malíř:</strong> Jan Šťáva</p>
<p><strong>Konečný:</strong> Igor Loškár</p>
<p><strong>Miss Stuhlá, a teacher:</strong> Daniela Straková-Šedrlová</p>
<p><strong>Doubek (child):</strong> Kryštof Cholava</p>
<p><strong>Poet:</strong> Michael Robotka</p>
<p><strong>First lady / Miss Pacovská:</strong> Andrea Široká</p>
<p><strong>Second lady / Mrs. Majorová:</strong> Tereza Kyzlinková</p>
<p><strong>Student:</strong> Michael Robotka</p>
<p><strong>Old Slovak woman:</strong> Jitka Zerhauová</p>
<p><strong>Mrs. Radová:</strong> Jana Hrochová</p>
<p><strong>Young widow:</strong> Hana Kopřivová</p>
<p><strong>Engineer:</strong> Pavel Valenta</p>
<p><strong>Verva, student:</strong> Lukáš Bařák</p>
<p><strong>Součková, student:</strong> Marta Reichelová</p>
<p><strong>Kosinská, student:</strong> Jarmila Balážová</p>
<p><strong>Doubek:</strong> Daniel Matoušek</p>
<p><strong>Sklepník:</strong> Ivo Musil</p>
<p><strong>Hrázda:</strong> Ondřej Koplík</p>
<p><strong>Servant:</strong> Petr Štych</p>
<p><strong>Nána:</strong> Kristýna Svítilová</p>
<p><strong>Lhotský, painter:</strong><span style="font-weight: 400;"> Jan Šťáva</span></p>
</div></div></div></div></div><div class="fusion-text"><p>The opening ceremony of the festival will be marked by the return of one of the world’s best opera directors, Robert Carsen. This creator of productions praised for their dramatic grasp, poesy and artistic refinement has returned to Janáček´s opera works once again after his previous productions of <em>Jenůfa, The Cunning Little Vixen, Katya Kabanova, The Makropulos Affair</em> and <em>From the House of the Dead.</em> <em>Destiny</em>, created especially for the Janáček Opera, National Theatre Brno, is thus Mr Carsen’s sixth interpretation of a work by the Czech master.</p>
<p>The first decades of the 20<sup>th</sup> century were characterized by a search for new ways and means of expression, and this was doubly true for opera. Janáček had already taken a radically new path with <em>Jenůfa</em> before embarking on a musical and dramaturgical excursion into totally uncharted lands with his fourth opera, <em>Destiny</em>. As is the case with other works by him, Janáček’s creativity was inspired by a beautiful woman, 28-year-old Kamila Urválková, who was the wife of a forest manager in Zahájí as well as an ex-lover of the composer Ludvík Čelanský. Janáček met her in Luhačovice in August 1903. Kamila described her romantic relationship with Čelanský, which hadn’t turned out well: Čelanský portrayed his disillusionment in the opera <em>Kamila</em>, where the lady in the title role was portrayed as an unstable and immature person. Janáček fell for her charms and decided to create “a brand new, modern opera” in which her good name would be restored. After his return from Luhačovice, he searched for a suitable librettist capable of processing his ideas and eventually asked Fedora Bartošová, a young teacher and erstwhile friend to his deceased daughter Olga, to do so. He didn´t call <em>Destiny</em> an opera, but rather <em>three episodes from a novel</em>, and it places spectators in a completely different environment to that of his earlier operas. The very first tones of the orchestral waltz take us amongst the cream of high, spa-going society. The simple natural prose of previous works is replaced by the language of decadent poets, and the plot is unveiled before the eyes of the audience via the dialogue between the two main characters, the composer Živný and his lover Míla. As with his other operas, Janáček drew extensively from his notes on the melodies of human speech. Despite the undisputed musical qualities of the work, the composer didn´t live to see <em>Destiny </em>performed. It was originally assigned to the Brno Theatre, but Janáček decided to have it performed at the Vinohrady Theatre in Prague. However, after a series of delays and despite many promises, the premiere didn´t take place. It wasn’t until 1934 that Janáček´s pupil Břetislav Bakala prepared a radio version, following it up with a concert version twenty years later in 1954. <em>Destiny</em> was finally staged for the first time in Brno on 25<sup>th</sup> October 1958, adapted by Václav Nosek.</p>
<p>Even though <em>Destiny</em> stands somewhat in the shadow of Janáček´s top operas, mainly due to its distinctive libretto, it has an important place in the history of opera as well as in Janáček´s compositional development.</p>
<p>Author: Patricie Částková</p>
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<p>The post <a rel="nofollow" href="https://2020.janacek-brno.cz/en/opery/28-9-2020-ceremonial-opening-of-the-festival-destiny-janacek-opera-national-theatre-brno-premiere/">&lt;strong&gt;28. 9. 2020&lt;/strong&gt;&nbsp;&nbsp;&lt;br&gt;Ceremonial opening of the festival: Destiny (Janáček Opera, National Theatre Brno) &#8211; premiere</a> appeared first on <a rel="nofollow" href="https://2020.janacek-brno.cz/en">FESTIVAL JANÁČEK BRNO 2020</a>.</p>
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